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In The Mood For A Love Story

Two soulmates cross paths in unusual circumstances, and it's this forbidden language of love — shaped by the investigative nature of modern dating — that director Park Chan-wook beautifully reinvents in 'Decision To Leave'.

Critic: Rahul Desai

Cast: Park Hae-il, Tang Wei

Stream on: MUBI

PARK CHAN-WOOK'S LATEST, Decision to Leave, is about a star detective who falls for an enigmatic murder suspect. The Busan-based detective, Jang Hae-jun (Park Hae-il), is in a reasonably happy marriage. But his wife works in a seaside town; they only meet on weekends. The suspect, Song Seo-rae (Tang Wei), is a Chinese expat and eldercare worker whose abusive husband is found dead at the bottom of a mountain he often climbed. She doesn’t seem particularly fussed about the ‘tragedy’. It looks like an accident or, at worst, a suicide. Hae-jun notices that she has all the quirks of a quintessential femme fatale — including a funny (Korean) accent. Yet, he gravitates towards her like a fly buzzing around a fresh corpse. 

 

In other words, everything about the premise screams for the Park Chan-wook treatment. The twisted eroticism: They’re breaking the rules, so perhaps their sex — desperate, adventurous, risky — does the same. Maybe Seo-rae reverses the power dynamic and toys with the sensation of Hae-jun spying on her; she spices up his stake-outs. The stylised violence: Perhaps Hae-jun’s addiction to his job — the gory crime scenes, the psychological games, the unsolved cases that haunt him — feeds their dark desire for one another. Their edges fit, like shattered shards of glass fusing to form an unlikely puzzle. 

 

But Decision to Leave is not that film. On the contrary, it is surprisingly quiet and tender. There is no torrid sex, and barely any bloodshed. Its sensuality is derived from a sense of familiarity and solace, a bit like In the Mood for Love reimagined as romantic noir. 

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