Bhartha Mahasayulaki Wignyapthi Review: Ravi Teja's new release is filled with decent comedy, but is dragged for no reason at places

Bhartha Mahasayulaki Wignyapthi Review
Last Updated: 02.53 PM, Jan 13, 2026
Ram (Ravi Teja) is a happily married man who owns a wine brand named Anarkali. When his proposal to expand the brand into Europe is rejected, Ram heads to Spain to convince the CEO, Manasa (Ashika Ranganath). However, events take an unexpected turn when Ram gets physically involved with Manasa and manages to get his work done. The real twist arises when Manasa lands in India. What will Ram do now? How will he handle his possessive wife, Balamani (Dimple Hayati)? This forms the crux of Bhartha Mahasayulaki Wignyapthi.
Ravi Teja is going through a series of flops in his career and has banked heavily on Bhartha Mahasayulaki Wignyapthi. He has collaborated with director Kishore Tirumala for this family drama, which revolves around a man torn between two women. The story is contemporary and something Ravi Teja has not attempted before.
As the central conflict revolves around infidelity, the director chooses to narrate the film in a fun and light-hearted manner rather than making it a heavy emotional drama. In this aspect, Bhartha Mahasayulaki Wignyapthi scores well, as the film offers decent entertainment. Ravi Teja underplays his mass image, goes with the flow, and emerges more as a character than a star.
The comedy is divided into two parts. In the first half, star comedian Satya takes center stage, and most of his gags work well, making the film a breezy watch. However, the momentum dips in the second half with the introduction of Sunil. As this portion contains more melodrama, the humor does not click as expected. Vennela Kishore’s role is limited, but he still manages to make an impact.

The core of the film lies in how Ravi Teja’s character saves his marriage while handling the other woman in his life. This aspect had the potential to generate strong emotional drama, but it falls short.
The emotional episodes do not land effectively, as the film focuses more on comedy than on deep storytelling. After building considerable tension, one expects a strong climax, but the makers opt for an old-school and predictable ending.
One of the major strengths of the film is its simple narration. There is minimal focus on heavy melodrama, and the scenes are kept light for the audience. Whenever the film starts to feel dragged, a fun episode is introduced, keeping things engaging.

The film is clearly designed with the festive season in mind, and story depth takes a backseat. It offers glamour, comedy, and a few decent moments, making it a passable time-pass watch.
Ravi Teja delivers a solid performance and looks stylish. He underplays his stardom and performs well within his limitations. Director Kishore Tirumala presents him in a new, sober avatar, which works to an extent. Ashika Ranganath does well in her role and carries her stylish character with confidence.
Dimple Hayati plays the crucial role of the possessive housewife. Initially, her character feels over-the-top and nagging, but once the film enters its emotional phase, her performance improves significantly. Tarak Ponnappa plays a key role but is underutilized and doesn’t get enough scope to showcase his talent.

Bheems Ceciroleo’s music works well on screen, and the songs are enjoyable. The dialogues, especially those written for Ravi Teja and Satya, are hilarious. The production values are top-notch, and the cinematography is impressive. The film looks rich and maintains a pleasant visual vibe throughout.
Overall, Bhartha Mahasayulaki Wignyapthi is a better outing compared to Ravi Teja’s recent flops. While the story is routine and the climax is dull, the film offers enough comedy and light drama to keep audiences entertained. Keeping the festive season in mind, this film ends up being a decent time-pass watch for the weekend.
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